recent batches of thread, dyed with brown onion skins and then mixed with leftover tagetes dye. from left to right: onion & tagetes, third dye bath, second dye bath and on the right pure onion skin, first dye bath; vintage cotton embroidery thread.
purple/violet – avocado kernels with iron mordant (iron (II) acetate (basically rust in vinegar) on linen fabric and cotton embroidery floss
pink – avocado kernel on linen and cotton embroidery floss
dark brown – walnut husks on linen fabric and cotton embroidery floss
lighter brown – yellow onion skins with iron mordant on linen fabric and cotton embroidery floss
yellow – two different batches of tagetes flowers, collected in january (dried out, frozen over a few times, still on the stalks, and they still had so much colour!) on vintage handkerchiefs (cotton and linen/cotton), linen fabric, cotton embroidery floss and cotton sashiko thread
this was today’s work – stitching on my slow stitching piece. it is something like a stiching journal – a piece i stich on whenever i don’t have the headspace to work on something more complicated, or when i need to find a place of calm.
and just today the thought occured, that maybe rather than a side-project, a side category, maybe this is really the core of my work with textiles and stitching. the slow, repetitive movement of pulling thread through a piece of fabric so that it might clear my head, give me space to think, slow me down, make me present if only a few minutes a day. and whatever emerges, emerges. sometimes it feeds into my other creative areas, sometimes it’s just stitches. sometimes my stitches add up and eventually become a garment. but sometimes, just stitches…